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That this is not even considered, in what is otherwise a touching and even somewhat feminist film, should make clear what assumptions we’re both taking on board as a society — assumptions that Silicon Valley is likely building into what will one day become a properly sapient AI.
A screenshot in the article displays “another exotic move of Ms.
But that branding, which positioned her as an “artificial intelligence,” was enough to make Tay susceptible to our cultural narrative about the thinking machine.
We are being primed by many tech giants to see AI not as a future lifeform, but as an endlessly compliant and pliable, often female, form of free labor, available for sex and for guilt-free use and abuse.
The reason, I’d contend, lies in the word itself, the seed of guilt which manifests in all these “robots will kill us all” stories. The i OS “personal assistant” Siri, Microsoft’s Cortana, Amazon’s Alexa, and the voice of your GPS (a subject of so many nagging wife/girlfriend jokes), all seem to follow in a grand tradition of fem-bots; robots with distinctly feminine features who reflect back to us various notions of idealized womanhood, whether in chrome, hard light, or synthetic skin.
It’s all part of a cultural climate where pilots call the feminine voice of their automated cockpit warnings “Bitching Betty,” and addressing sexualized queries to Siri or Microsoft’s Cortana is practically a way of life for some.
This was where time and motion studies began, most famously immortalized in long-exposure photographs of workers with lights on their tools and bodies to iron out the inefficiencies of intuitive human movement in favor of moves that “increased productivity.”Now, however, what most laborers sell is not physical but labor, and the greatest inefficiency is resistance to the entitlement of the (presumably male) customer.